4/6/2021 0 Comments Waves Vocal Bundle Review
Contour 3 is designed for faster tempos where a ballad setting might be too messy, and combines a very small room with predelay.Waves have clearly taken steps in that direction with the Maserati suite of plugins, developed in conjunction with awardwinning mixer Tony Maserati.
Maserati has worked with artists as diverse as Black Eyed Peas, Beyonce, Alicia Keys, Macy Gray, Sting and David Bowie, and in March 2007s Inside Track feature ( sosmar07articlesmaserati.htm ), he talked to SOS about his work on John Legends Save Room. The result is that with just a handful of knobs and buttons, you can arrive at a highly produced guitar, bass, voice or drum sound very quickly. Theres no clue as to what original hardware components are emulated in any of the plugins or processing modes, but then that doesnt really matter: this suite of plugins should be judged on its results. While stripping the controls down to a bare minimum may rob the more advanced user of some flexibility, the idea is that the sense of instant gratification you get as soon as you switch them into the signal path should more than make up for this. The load and save format is the same as with other Waves plugins, as is the ability to create and compare A and B versions, but there are no factory presets as such. Monoin, stereoout and stereoin, stereoout versions of each plugin are available. The source guitar sounds can range from clean to overdriven, and the plugin can also be used to add colour and movement to electric pianos. The main thing to understand about this plugin is that it doesnt do guitar amp modelling or overdrive its there to allow you to polish the sound once youve recorded it, and this it does very well. As with the other plugins in the collection, some of the controls change as you switch modes, but the Sensitivity control is everpresent. This is accompanied by a threecolour signal light to help you optimise the input level (necessary for any dynamic effects to work correctly), a round retro meter that can monitor either the input or output level, and an output level control. ![]() In Thick Rhythm mode this is greyed out, while the FX section grows a second Presence control. The same control paradigm extends right through this range of plugins; some controls are greyed out when not used in a particular mode, while some of the others change function. For example, in Thick Rhythm mode you get to control the delay time, stereo width, vibrato and chorus on or off. Theres always an FX level control to adjust the signal sent to the effects section. In this mode, even with all the effects turned to minimum, theres a very subtle tremolo effect when the FX knob is turned clockwise, while the Vibrato knob, when turned up, gives a shimmering, almost rotaryspeakerstyle modulation. All the other settings are quite obviously effected, but in a way that sounds good right out of the box. Theres scope for adjustment, of course, but the overall effect is very slicksounding. Thick Rhythm, for instance, includes a very plausible doubling effect when you crank up the delay time (which is limited to a short slapback). It may not suit all guitar sounds or all songs, but in most instances it will help you make a good guitar sound even better, and if you want to go allout on the chorus or vibrato effects, you can. With all of these plugins, whenever you switch to a different mode you get the default factory setting, after which you can make your own adjustments. ![]() Contour 1 creates the impression of a small, intimate space, while Contour 2 conjures up a larger chamber that works well with slow ballads.
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